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This time, Eiri, the protagonist, has more and more encounters with Cossette, and it wouldn’t be strange, because he was now Cossette’s “servant” and was destined to suffer for what Marcelo had done to the Original Cossette.

Eiri draws Cossette’s portraits a lot, but she says that she doesn’t like to be painted, since Marcelo did the same thing years ago. But Eiri doesn’t know a thing about this Marcelo he’s heared about, and wants to know everything about him. Cossette, annoyed by Eiri’s obstination, takes him back in time to watch the disaster that happened to Cossette with Marcelo. Now he knows that Marcelo killed her, and his wound in the heart (produced by Cossette as a sign of burden) starts to react, and suddenly, a big machine-type monster appears and grabs Eiri, and Cossette starts her ritual of suffering, but through obstination and “love” he stays alive, now doped on Cossette. . .